Bend it Like Beckham was appreciated by male and female alike. The story covers sensitive topics such as homosexuality, interracial relationships, and religion.
In spring 2004, Koryo Tours spoke with Sean Hinton, Director of Ealing Studios, London, about finding a suitable British film for the Pyongyang International Film Festival to be held that September.
The festival had originated in 1987 as the rather awkwardly named ‘Pyongyang Film Festival of the Non-Aligned and Other Developing Countries’. And, as such, played mainly propaganda films.
We take a look at the Pyongyang International Film Festival and how one international film became unexpectedly famous.
In 2002, the Pyongyang International Film Festival opened to international films.
Koryo Tours screened ‘The Game of Their Lives’, and Sean had sent the classic 1951 Ealing comedy ‘The Lavender Hill Mob’.
The screening of which, it is rumoured, influenced a local Pyongyang citizen to commit a bank robbery!
At the time, director Gurinder Chadha was at Ealing Studios in production with ‘Bride and Prejudice'. Through Sean, we received her blessing for ‘Bend It Like Beckham’ to be entered into the 2004 film festival.
There are 14 cinemas in Pyongyang. But only a select few show films at the festival.
The festival tickets are sold in booths in the city.
If a film is popular, it soon sells out. Which is exactly what happened with ‘Bend it Like Beckham’.
The film was a hit!
It screened at 3 cinemas for 4 days and reached an audience of 12,000.
An astonishing number in such a short time.
Bend it Like Beckham was appreciated by males and females alike.
The story covers sensitive topics such as homosexuality, interracial relationships, and religion. However, for a North Korean audience, many of these thematic elements were perhaps overlooked.
The focus was the main relatable storyline - a view into the life of a young woman aspiring to live her dreams in balance with the expectations of her family.
We were present at one of the screenings and squeezed into the 2000-seat cinema of the Pyongyang International Cinema House.
The audience watched the film with the sound slightly lowered whilst two actors just out in front of the screen live dubbed the film in Korean.
Towards the end of the film, there is a dialogue between the protagonist, Jess, and her football coach.
He tells her she needs to live her own life. She needs to decide if she should follow her parents’ wishes to quit football or if she should follow her dream and play.
During this passage, there were murmurs in the crowd.
The last line had been reinterpreted roughly along the lines of the Juche Idea, follow your own way.
Self-reliance.
In 2010, we worked with the British Embassy to get the rights for Bend it Like Beckham to be broadcast throughout the country.
This should mark the 10th anniversary of the establishment of diplomatic ties between the DPRK and the UK.
The application was accepted, and the film became the first Western movie to be broadcast in the country.
Anyone in North Korea with access to a television was given an insight into the vagaries of Western society.
We were in Pyongyang soon after the broadcast, and locals were happy to give their impressions.
For them, it was a breath of fresh air to watch a film that was purely for entertainment. Without any political drudgery. And, of course, set in another country with all the differences and questions that must bring up.
Part of the attraction of the film was that women’s football was particularly popular in the DPRK.
Their national ladies' team outperforms the men’s team at every level.
There were changes made to the script for broadcast, a little censorship of content, but Korean friends told us the story after watching, and it fit with our impressions of the film.
The love interest, the parent issue, etc.
In some way, it might have been part of the inspiration for us to shoot our own girl power romantic comedy ‘Comrade Kim Goes Flying’ a few years later.
Girl power rules.
If you want to watch Comrade Kim Goes Flying, it is available on Vimeo.
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